Mr. Hubbard was once known as the brashest of jazzmen, but his personality as well as his music mellowed in the wake of his lip problems. In 1990 he appeared in Japan headlining an American-Japanese concert package which also featured Elvin Jones, Sonny Fortune, pianists George Duke and Benny Green, bass players Ron Carter, and Rufus Reid, with jazz vocalist Salena Jones. Aries. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollins, Slide Hampton, Eric Dolphy, J. J. Johnson, and Quincy Jones. Trumpet Players. Although Armstrong claimed to be born in 1900, various documents, notably a baptismal record, indicate that 1901 was his birth year. Hubbard joined Shorter later in 1961 when he replaced Lee Morgan in Art Blakey's Jazz Messengers. Jazz Messengers!!!!!

(In later years he often spoke of his comfortable…, Louis Armstrong, the leading trumpeter and one of the most influential artists in jazz history. "[15] The Jazz Foundation of America's Musicians' Emergency Fund took care of him during times of illness.

In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery and worked with bassist Larry Ridley and saxophonist James Spaulding. Several live recordings of this group were released as V.S.O.P, V.S.O.P. Adding his own spin to a style informed by Dizzy Gillespie, Miles Davis and Clifford Brown, Mr. Hubbard played trumpet with an unusual mix of melodic inventiveness and technical razzle-dazzle. Together with Eric Dolphy and Art Davis, Hubbard was the only sideman who appeared on both Olé and Africa/Brass, Coltrane's first album with Impulse!. He played on several Blakey recordings, including Caravan, Ugetsu, Mosaic, and Free for All. As Howard Mandel explained in a 2008 Down Beat article, “His ability to project and hold a clear tone was damaged, so his fast finger flurries often result in blurts and blurs rather than explosive phrases.”. Freddie Hubbard, (Frederick Dewayne Hubbard), American jazz musician (born April 7, 1938, Indianapolis, Ind.—died Dec. 29, 2008, Sherman Oaks, Calif.), played bravura trumpet solos with a harmonic-rhythmic flair that made him the most exciting late-bop virtuoso on his instrument. They sold well, for the most part, but were attacked, or in some cases simply ignored, by jazz critics.

[9] In 1994, Hubbard, collaborating with Chicago jazz vocalist/co-writer Catherine Whitney, had lyrics set to the music of First Light.

Years of intense trumpeting led to a lip infection in 1992 that severely curtailed Hubbard’s career. A prolific and daring recording artist, he not only was a major hard-bop figure but also played free jazz with Ornette Coleman, John Coltrane, and Eric Dolphy and modal jazz with Wayne Shorter. Hubbard's trumpet playing was featured on the track "Zanzibar", on the 1978 Billy Joel album 52nd Street (the 1979 Grammy Award Winner for Best Album). After leaving Blakey’s band in 1964, Mr. Hubbard worked for a while with another drummer-bandleader, Max Roach, before forming his own group in 1966. [5], On December 29, 2008, Hubbard died in Sherman Oaks, California from complications caused by a heart attack he suffered on November 26. His first albums for the label, notably “Red Clay,” contained some of the best playing of his career and, except for slicker production and the presence of some electric instruments, were not significantly different from his work for Blue Note. [7] Though he never fully embraced the free jazz of the 1960s, he appeared on two of its landmark albums: Coleman's Free Jazz and Coltrane's Ascension, as well as on Sonny Rollins' "new thing" track, "East Broadway Run Down" (on the 1966 album of the same name), with Elvin Jones and Jimmy Garrison. and on sound tracks for films, including Blowup. On 19 June 1960 Hubbard made his first record as a leader, Open Sesame at the beginning of his contract with Blue Note Records, with saxophonist Tina Brooks, pianist McCoy Tyner, bassist Sam Jones, and drummer Clifford Jarvis. Freddie Hubbard, the legendary jazz trumpeter whose powerhouse technique set new standards for brass virtuosity in the hard-bop era, died early Monday morning at Sherman Oaks Hospital in Los Angeles’ San Fernando Valley. First Name Freddie. Freddie Hubbard, a jazz trumpeter who dazzled audiences and critics alike with his virtuosity, his melodicism and his infectious energy, died on Monday in Sherman Oaks, Calif. By Mr. Hubbard’s own account, he seriously injured his upper lip that year by playing too hard, without warming up, once too often. Most of his recordings as a leader from the early 1980s on, for Pablo, Musicmasters and other labels, were small-group sessions emphasizing his gifts as an improviser that helped restore his critical reputation.

The Quintet, V.S.O.P. First Light won a 1972 Grammy Award and included pianists Herbie Hancock and Richard Wyands, guitarists Eric Gale and George Benson, bassist Ron Carter, drummer Jack DeJohnette, and percussionist Airto Moreira. [4] Hubbard remained with Blakey until 1966, leaving to form the first of several small groups of his own, which featured, among others, his Blue note associate James Spaulding, pianist Kenny Barron and drummer Louis Hayes. Most Popular #125732. Later, in August 1961, Hubbard recorded Ready for Freddie (Blue Note), which was also his first collaboration with saxophonist Wayne Shorter. Let us know if you have suggestions to improve this article (requires login). He is quoted as saying, "When I had congestive heart failure and couldn't work, The Jazz Foundation paid my mortgage for several months and saved my home! In 1988 he teamed up once more with Blakey at an engagement in the Netherlands, from which came Feel the Wind. His first instrument was the alto-brass mellophone, and in high school he studied French horn and tuba as well as trumpet. He is survived by his wife of 35 years, Briggie Hubbard, and his son, Duane. After his death, Hubbard's estate requested that tax-deductible donations be made in his name to the Jazz Foundation of America.[15]. Sortable table with last recording session for each release as primal order. In December 1960, Hubbard was invited to play on Ornette Coleman's Free Jazz after Coleman had heard him performing with Don Cherry.[3]. Throughout the 1960s Hubbard played as a sideman on some of the most important albums from that era, including Oliver Nelson's The Blues and the Abstract Truth, Eric Dolphy's Out to Lunch!, Herbie Hancock's Maiden Voyage, and Wayne Shorter's Speak No Evil. Freddie Hubbard Popularity . Aries Trumpet Player #3. In later years he played the less-demanding flugelhorn, rather than the trumpet, accompanied by the New Jazz Composers Octet. Mr. Hubbard won a Grammy Award for the album “First Light” in 1972 and was named a National Endowment for the Arts Jazz Master in 2006. He grew up in dire poverty in New Orleans, Louisiana, when jazz was…. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. He attracted attention in the 1960s for his bravura work as a member of the Jazz Messengers, the valuable training ground for young musicians led by the veteran drummer Art Blakey, and on albums by Herbie Hancock, Wayne Shorter and many others.

Early in his career, while influenced by bop-era trumpeters (including Clifford Brown and Lee Morgan), Hubbard developed a big, commanding tone and a subtle style of inventing melodies that flowed and, alternately, burst into dramatic contrasts. Be the first to add a relationship.Get help at Wikipedia.. Freddie Hubbard, widely regarded as the most gifted jazz trumpeter of the post-bebop ‘60s and ‘70s, died Monday at Sherman Oaks Hospital in Los Angeles. ... Hubbard is survived by his wife, Briggie, and son, Duane. He also recorded several well-regarded albums as a leader. After taking lessons with Max Woodbury, the first trumpeter of the Indianapolis Symphony Orchestra, at the Arthur Jordan Conservatory of Music, he performed locally with, among others, the guitarist Wes Montgomery and his brothers.

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